Types of Italian Hats: A New York Hatter's Guide

Fur felt, finished Panama, summer cloth and the coppola: a New York hatter sorts the types of Italian hats, explains what makes Italian felt different, and converts Italian sizes to American ones.

The types of Italian hats worth knowing come down to four families: fur felt hats in fedora, trilby, bogart and cloche shapes; Panama and straw hats blocked and finished in Italy; light summer hats in linen, hemp and raffia; and the flat cap Italians call a coppola. Italy's reputation rests on two places above all — Alessandria in Piedmont, where Borsalino has made felt hats since 1857, and the hat-making district around Montappone in the Marche. Since 1911, JJ Hat Center has been fitting New Yorkers in these hats, and the questions at our counter rarely change: what actually makes the felt different, how Italian sizes convert to American ones, and which shape belongs on which head.

The Four Main Types of Italian Hats

Italy does not make one hat; it makes four different things, and treating them as interchangeable is how people end up wearing a raffia hat into a February wind.

Family Typical shapes Material Season
Italian felt hats Fedora, trilby, bogart, pork pie, cloche Rabbit fur felt, wool felt, velour finish Fall through spring
Panama and straw Fedora, bogart, wide brim, boater Toquilla straw, sisal, raffia, hemp Late spring through summer
Summer cloth hats Trilby, player, bucket Linen, cotton, hemp Warm weather and travel
Italian caps Coppola / flat cap, newsboy-style Wool, tweed, linen, alpaca Year-round by fabric

The brand most Americans picture when they hear “Italian hat” sits in the first two rows. Our Borsalino collection is the clearest place to see how one Italian house covers felt, straw and cloth in a single house style.

Italian Felt Hats: Fedora, Trilby, Bogart and Cloche

Felt is where Italy built its name, and four shapes account for most of what you will see.

The fedora

A creased crown — usually a center dent or a teardrop — and a brim of roughly 2 to 2 3/4 inches (5 to 7 cm) that can be snapped down in front and turned up in back. The Italian reading of the shape is softer and lighter than the stiff American felts of the mid-century: a pliable brim, a tapered crown, and a grosgrain band that is often tonal rather than contrasting. If you want the shape without the Italian price of entry, the broader fedora hats selection shows how the same proportions read in other makers' felt.

The trilby

Shorter brim, around 1 1/2 inches, snapped down hard in front and turned up sharply at the back. It sits higher on the head than a fedora and flatters a narrower face. It is the shape to try if a full fedora brim makes you feel like you are in costume.

The bogart

A stingy-brim fedora with a tapered, slightly lower crown, named for the actor who wore the look on screen. Italian makers use the name as a model line, and it is the most wearable felt shape for a city where you spend half your day on a subway platform: the short brim does not catch on doorways or fellow passengers.

The cloche

The bell-shaped women's hat of the 1920s, pulled down close to the brow with little or no brim projection. Italian versions are usually fur felt or merino wool, sometimes with a velour nap that catches light like suede.

Pork pie and player shapes — flat-topped crowns with a narrow, upturned brim — round out the felt range, and Italian lines carry them in cloth and linen as well as felt.

What Makes an Italian Felt Hat Different

Hold a wool felt hat in one hand and an Italian fur felt in the other and the gap is obvious but hard to name. It comes down to four things.

  • The fiber. The better Italian felts are made from rabbit or hare fur rather than sheep's wool. Fur fibers are finer and barbed differently, so they lock into a denser, thinner sheet. That is why a good fur felt hat feels substantial but weighs less than the wool hat sitting next to it.
  • Memory. Dense fur felt springs back. Crease it, pinch it, pack it badly for one trip, and it recovers its shape in a way wool felt generally does not. A wool brim that gets crushed tends to stay crushed.
  • Finishing. After blocking on a wooden form, the body is pounced — sanded down by hand — to the finish the model calls for, from a smooth matte surface to a long velour nap. That step is slow — it is where the hours go — and it is the single most visible difference between a hundred-dollar hat and a several-hundred-dollar one.
  • The trim. Leather sweatband rather than synthetic, a grosgrain ribbon sewn rather than glued, and a brim edge that is either cleanly bound or deliberately left raw. Turn any hat inside out; the sweatband tells you most of what you need to know.

Our fur felt hats are the place to feel that difference directly — pick up two hats of the same size and the lighter one is almost always the finer felt.

The Italian Cap: What a Coppola Actually Is

When Americans search for an Italian cap, they usually mean the coppola: the flat cap associated with Sicily and southern Italy, built from a single rounded panel with a short stitched-down brim. It is the same basic architecture as the British flat cap, cut a little rounder and fuller through the crown, and traditionally made in wool, tweed or — for summer — linen and hemp.

Two practical notes. First, a coppola is cut closer than a newsboy cap; if you like the slouchy eight-panel look with a button on top, that is a different hat. Second, linen caps relax as you wear them, while a dense wool cap barely moves, so buy linen snug and wool at your true size.

Panama and Straw: Italy's Summer Hats

Here is the correction we make most often at the counter: a Panama hat is not Italian. The body is hand-woven from toquilla palm in Ecuador, then shipped as a rough cone. What an Italian house adds is everything after that — blocking the body on a wooden form, pressing it, bleaching or dyeing it, trimming it with grosgrain or leather and finishing the brim edge. An Italian Panama is an Ecuadorian weave finished to an Italian standard, and that finishing is what you are paying for.

Alongside Panama you will find sisal and raffia hats, crochet-woven packable models made to be rolled into a bag, and hemp or linen cloth hats for travel. If you are building a warm-weather rotation, our guide to what hats Italian men wear in summer goes through the shapes by occasion.

Italian Hats for Men: Picking the Right Shape

Most men who ask about Italian hats for men are really asking one thing: which of these will not look like a costume on me? Three variables decide it.

  • Face length. A long, narrow face wants a wider brim and a shorter crown to add horizontal line. A round or broad face wants the opposite — a taller, tapered crown and a brim that stays close to 2 inches.
  • Your build. Brim width should roughly track shoulder width. A stingy brim on a big frame looks undersized; a wide brim on a slight frame wears the person.
  • Where you wear it. A dark fur felt fedora or bogart handles a topcoat and an evening out. A tweed coppola handles everything else, which is why it is the Italian hat most men wear the most days.

If you own nothing yet, start with a mid-brown or charcoal felt in a classic fedora or bogart. Those two colors sit under the most overcoats, and the shapes have outlasted every revival of the last century.

Italian Hats for Women

The Italian women's range runs from the cloche through wide-brim felts and floppy Panamas. Fur felt cloches and velour-finished hats are the dressier end, and they suit the same occasions a structured coat does. Wide-brim Panama and raffia hats carry the summer side, with brims generous enough to be useful rather than decorative. Fit matters more here than in men's hats, because a cloche worn even slightly loose slides down the brow and a wide brim amplifies every millimeter of play.

Italian Hat Sizes vs. US Hat Sizes

Italian hats are sized in centimeters — the number stamped in the sweatband is the inside circumference, not a style code. American sizing uses fractions instead, and the conversion is plain arithmetic: multiply your US size by eight to get the Italian size. A 7 1/4 is a 58; a 7 1/2 is a 60. Each eighth of an American size is roughly one centimeter, which is also the smallest adjustment worth making to a felt hat.

To find your US size, run a tape around your head about a finger's width above the ears, keeping it level front to back, and match the measurement to the nearest size below. Letter labels are a rough guide only — Italian makers apply them inconsistently, so buy by the number.

US size Usual letter label
6 7/8 S
7 M
7 1/8 M
7 1/4 L
7 3/8 L
7 1/2 XL
7 5/8 XL

Two cautions. Heads are rarely perfectly round, so if your measurement lands between sizes, take the larger one and let a hatter fit it down with sizing tape — you cannot add room to a finished felt. And fur felt relaxes slightly with wear while straw does not, so a straw hat has to be right on day one.

The Italian Houses We Carry

JJ Hat Center, a New York hat shop since 1911, stocks Italian headwear from two houses, and they cover different ground. Borsalino is the Alessandria name behind the classic fur felt fedora, the finished Panama and a deep range of flat caps — it ranks third among all the brands on our wall by units moved over the past year, and close to one in twelve of the pieces we sell in a year carries its label. In Google Shopping clicks it sits third as well, which tells us people arrive already knowing the name. Our full Borsalino range covers felt, straw and caps; if you want the background first, we wrote a separate piece on what a Borsalino hat is and why the name became shorthand for the shape.

Alfonso D´Este is the Italian-styled line we reach for when someone wants the shapes without the collector's price: pork pie and player hats in cloth, linen and wool, trilbies, bowlers, the occasional top hat, and a run of flat caps. It sits inside our top six brands by units moved, and it is usually the hat that leaves with a first-time felt buyer.

One of our most-ordered products of the past quarter is an Italian fur felt hat, which is a fair summary of how New York actually buys: the classic shape, in the better felt, in a dark color.

Keeping an Italian Felt Hat Alive

Handle it by the brim, front and back, not by pinching the crown — that is what wears a hole through the crease over the years. Brush fur felt counterclockwise with a soft brush after wear. If it gets caught in rain, set it on its crown on a towel, band up, and let it dry away from radiators; heat is what kills felt, not water. Store it crown-down or in a box rather than hanging on a hook, which stretches the brim out of true. A hat treated this way outlives several coats.

Frequently Asked Questions

What is the most famous Italian hat brand?

Borsalino, founded in Alessandria in 1857. The name became so tied to the soft felt fedora that in parts of Europe people still use “borsalino” as the word for the hat itself, regardless of who made it.

Are Italian Panama hats actually made in Italy?

Partly. The straw body is hand-woven in Ecuador from toquilla palm. Italian houses buy those bodies and do the blocking, pressing, dyeing, trimming and brim finishing. The weave is Ecuadorian, the finished hat is Italian.

What is an Italian flat cap called?

A coppola. It is cut rounder and fuller through the crown than a British flat cap and comes in wool and tweed for cold weather, linen and hemp for summer.

What Italian hat size do I need if I wear a 7 1/4?

A 58. Italian and European hats are sized by the inside circumference in centimeters, so 7 1/4 US equals 58, and each eighth of an American size is roughly one centimeter.

Are Italian felt hats worth the money?

If you wear hats regularly, yes. The fur felt holds its shape through seasons that flatten a wool hat, the leather sweatband stays comfortable, and the hat can be cleaned and reblocked rather than replaced. If you wear a hat twice a year, a wool felt will serve you fine.